Journal

20Oct

From the Geometry of Imagination

From the geometry of imagination to the observable world, was accomplished by Benoit Mandelbrot who introduced the concept of ‘self-similarity, in his paper How Long is the Coast of Britain? Science, May 1967.

Abstract.

Geographical curves are so involved in their detail that their lengths are often infinite or, rather, indefinable. However, many are statistically “self-similar,” meaning that each portion can be considered a reduced-scale image of the whole. In that case, the degree of complication can be described by a quantity D that has many properties of a “dimension,” though it is fractional; that is, if exceeds the value unity associated with the ordinarily, rectifiable, curves.

From there, the visual development of fractals was radically enhanced by computer modelling and digital technology.
The phrase ‘often infinite or, rather, indefinable’ is a key to my own perspective and, on occasion, perception.

Not being a mathematician, I came to this many years later. However, I think it was 1970, thereabouts anyway, my cousin and I were staying with a friend on Dartmoor. We all took a dose of LSD. We climbed the hill to Belstone Tor and sat amongst the rocks. The sky was filled with streams of light, the earth was shimmering with fractal patterns. Some time later we had returned to the house. There was a watercolour on the wall. The scene was of a rocky coastline. The waves were breaking on the shore. The gulls were crying. Their calls were quite distinct.

At some point, our friend’s father appeared. He lived nearby. Someone in the village had phoned him to say that his son, who had wandered off, was behaving erratically. They were concerned.

The father wanted to know what the hell was going on. My cousin and I were unable to explain, other than that we were all tripping. I wanted to get back into the painting. The father was perplexed. I could see that he had come to a decision to look elsewhere. “Look he’s disappearing” I observed. He was dissolving into a potential existence to my perception. “Alright I’ll go” he huffed.

13Oct

Let’s Start at the Beginning

Let’s start at the beginning

I was about 7 or 8 years old. This would have been the late 1950s. Lying in bed and looking at the ceiling, then the walls. If I shot an invisible arrow in that direction, it would bounce off that angle and hit other wall. It’s an imaginary snooker in my head.

Indeterminacy was and continues to be a conundrum.

Why stop there? The beam of light was unimpeded by material considerations. It could just continue to deflect from one angle to the next, Walls, floor and ceiling are all interconnected. inertia was overcome and there were the windows too. The light beam could deflect off the glass and continue its angular foray.

Eventually, it could penetrate the glass. The sky was out there. There were clouds but there were no angles to bounce off. Where to go? Indeterminacy was and continues to be a conundrum.

06Oct

My Journal

Art, photography, philosophy, and life—these are all intertwined in ways that fascinate and inspire me every day. Through this journal, I hope to share glimpses of the ideas, reflections, and experiences that shape my creative practice and worldview.

From musings on Buddhist philosophy and the nature of consciousness, to explorations in photography and abstract art, this space will serve as a canvas for my thoughts. You’ll find reflections on the underlying connections that bind us to the world and insights into the processes behind my work.

This journal is not a place for conclusions, but for questions and curiosities—a way for me to deconstruct, explore, and share the journey. I invite you to join me as I reflect on the seen, the unseen, and everything in between.

Self Implied background image
If you would like to receive digital copies of my work, please reach out to me at: antony.cw@gmail.com